The title will stop some people in their tracks. That’s intentional.
Feels Like Coming is the new single from Door213 — a collaboration between Necro (Portugal) and Jeff Knapp (Germany) — and it carries a double meaning that is worth sitting with rather than dismissing. Yes, the obvious reading is there. But the one that drives the music, the one that drives the video, is something else entirely: I feel like I’m arriving to where you are.
The video makes this literal. Through fields, forests, highways at night — Necro runs. Not metaphorically. The whole visual structure is a journey toward someone, across distance, across time, across whatever separates the living from the dead. It is the same impulse that drives the memorial itself: the refusal to accept that a wall exists between the present and 1994, between the world and the man the world discarded.
The provocative title is the point of entry. What you find inside is the journey.
Feels Like Coming will be available on all major streaming platforms on July the 1st.
Door213 and GoH | Mr. Whatever have released the official music video for Don’t Forsake Me (Jeff Version), a collaborative alternative and hip-hop ballad written, composed, produced and performed by both Vânia Netas and Jeffrey Knapp.
The song was written as a prayer — a plea not to be abandoned in the dark. The video extends that prayer into image.
What the Video Shows
The visual structure takes place across two spaces that exist in different dimensions of time.
In the first, two figures — Vânia and Jeff — pray separately, each in their own sacred space. They are not together. They do not know each other is there. But the intention is the same: to reach through darkness toward something or someone who needs light.
In the second, Jeffrey Dahmer sleeps in a simple bedroom. He wakes slowly, as though something has reached him across the distance. He moves to the window. Light begins to spiral around him, lifting him — not dramatically, but gently, the way grace tends to arrive.
The two spaces are connected by prayer. The video makes that visible.
What It Is About
Don’t Forsake Me is about forgiveness, redemption, and faith — not as abstract concepts but as things people actually do, reach toward, and sometimes find. It is about the idea that genuine intention can cross time and space, that a prayer offered sincerely does not simply disappear.
It is also about the memorial’s central conviction: that Jeffrey Dahmer was a human being, that he suffered, that he sought grace in the final months of his life, and that the people who believe in holding his full humanity are not wrong to do so.
The video does not argue. It prays.
The Collaboration
Don’t Forsake Me (Jeff Version) is a joint work between Door213 (Vânia Netas, Portugal) and GoH | Mr. Whatever (Jeffrey Knapp, Germany). Both artists wrote, composed, produced and sang the track. Both voices are present throughout.
The video was generated and edited by the artists themselves.
Milwaukee Rain is a music video collaboration between Door213 (Vânia Netas, Portugal) and GoH Mr. Whatever (Jeffrey Knapp, Germany) that traces the invisible threads connecting two artists who have never met, bound together by their shared understanding of Jeffrey Dahmer’s humanity.
The video follows Vânia and Jeff as they walk the same Milwaukee streets Jeffrey once walked, separated by geography and time yet unified in their connection to his story. Through flashbacks, we see Jeffrey himself—in record shops, moving through the city that would become inseparable from his name. The three figures converge in scenes of collaboration, playing together as a band across the boundaries of time and space.
At its core, Milwaukee Rain explores what it means to be connected to someone you’ve never physically met—both Jeffrey Dahmer himself, and the collaborator on the other side of Europe who shares your understanding of him. Vânia, based in Portugal, and Jeff, based in Germany, have never stood in the same room, yet they create together, walk the same streets in different moments, and find themselves entangled in the same story.
The video asks: what does it mean to walk where someone walked? To stand where they stood? To feel connected across time to a person you never knew, and across distance to a person you’ve never touched?
Milwaukee becomes more than a location—it becomes the intersection point of three lives, three timelines, three understandings of loneliness, creativity, and the human need for connection.
this song makes me think of jeff so much. it really does. it must have been what he felt when he desired for a person to become a permanent part of him.
I had to ask. “Jeff, why did you wear this guy’s face?”
Dahmer continued to smoke as he answered. “Pat, I already told you that I wanted to keep these guys with me. I didn’t want them to leave. I loved them. That’s why I killed them. That’s why I saved their body parts. That’s why I ate them—so they could become one with me. I thought if I could preserve this guy’s skin, I could wrap myself in him. His outer shell would surround me. I would actually be in him. We would be one.”
The room fell silent. Patrickus wrote in her notepad, and Murphy and I sat without a word, letting Dahmer’s heartfelt explanation sink in.
— Grilling Dahmer: The Interrogation Of “The Milwaukee Cannibal” by Patrick Kennedy, Robyn Maharaj
if only he’d expressed this in a healthier way, with the consent of the other person, then maybe it would have gone more like this song portrays. 💔 but i wonder if this is what he was longing for — a connection so irreversibly deep and profound, two souls blended together fully, to the point where he was them and they were him.
it’s sad to know he was never able to find this consensual arrangement with a partner, instead feeling like he had to completely dominate them in order to have anything at all that wasn’t just a fuck-and-dump. perhaps in the next life, he will be — or already is — healthier, and he can have this intensely deep and unbreakable bond with someone who feels the same way.
You have bound my heart with subtle chains So much pleasure that it feels like pain So entwined, now that we can’t shake free I am you and you are me
No escaping from the mess we’re in So much pleasure that it must be sin I must live with this reality I am yours eternally
There’s no turning back We’re in this trap No denying the facts, no, no, no No excuses to give I’m the one you’re with We’ve no alternative, no, no, no
Dark obsession in the name of love This addiction that we’re both part of Leads us deeper into mystery Keeps us craving endlessly
Strange compulsions that I can’t control Pure possession of my heart and soul I must live with this reality
I am you and you are me I am you and you are me I am you and you are me I am you and you are me
There’s no turning back We’re in this trap No denying the facts, no, no, no No excuses to give I’m the one you’re with We’ve no alternative, no, no, no
Jeffrey Dahmer Memorial 