Christopher Scarver, the applause that followed 28 November 1994, and the victims the cheering required everyone to forget.
I. The Applause
This article does not begin with a metal bar in a prison gymnasium. It begins with what happened afterwards, in living rooms and newsrooms and radio call-in shows across America, when the news broke that Jeffrey Dahmer was dead.
There was satisfaction. There was open celebration. There were jokes within hours. Commentators reached, again and again, for the same formulation: that someone had finally done what the justice system would not. The man who swung the bar was transformed, almost instantly, into a folk hero — an instrument of cosmic correction. Thirty years later, the sentiment survives intact. Spend five minutes in the comments beneath any video about the killing and you will find it, thumbs-up counts in the thousands: he did the world a favour. Give that man a medal.
This article is not primarily about Christopher Scarver. It is about that applause — what it required people to forget, whom it required people to erase, and what it reveals about the moral logic of the audience. Because the hero narrative only functions if you never look too closely at it. Look closely, and it comes apart in your hands.
II. Steve Lohman
The first thing the hero narrative requires you to forget is a man named Steve Lohman.
In 1990, Lohman worked at a Wisconsin Conservation Corps job-training programme office in Milwaukee — an ordinary employee of a programme that existed to give young people trade skills and a path into work. On the morning of 1 June 1990, Christopher Scarver, a former trainee carpenter in that programme, returned to the office with a pistol. Scarver had been promised a full-time position by a supervisor named Edward Patts; when Patts was dismissed, the job evaporated, and Scarver’s grievance did not.
He held Lohman at gunpoint and demanded money. Handed only fifteen dollars, Scarver shot Lohman in the head, killing him — and then shot his body twice more. Site manager John Feyen, the other man in the office, wrote Scarver a cheque for three thousand dollars and fled for his life. Scarver was arrested within hours, still in possession of the gun, the cash, and the cheque.
Fifteen dollars. That is what Steve Lohman’s life was traded against — a man who, by every available account, had done nothing to Scarver at all. He was simply present, in an office, on a Friday morning, doing a job.
When the world made Christopher Scarver a hero four years later, it made a hero of the man who did this. And in doing so, it erased Steve Lohman a second time. His name appears in almost none of the celebratory retellings. There is no folk mythology about him, no comment sections demanding he be remembered. The avenging-angel story has no room for the inconvenient fact that the angel’s first killing was of an innocent man, over pocket money and a job that fell through.
Any honest account of 28 November 1994 has to begin here, because this is who was standing in that gymnasium. Not an instrument of justice. A man who had already demonstrated, in the most final way possible, what he was capable of doing to a person who had wronged no one.
III. The Man Himself
The second thing the hero narrative cannot survive is an honest look at Scarver’s mind — and here this memorial must hold itself to its own standard. We have argued, across many articles, that “monster” is a word people use when they want permission to stop thinking. That principle does not bend for convenience. It applies to Christopher Scarver too.
By his own account and by contemporaneous reporting, Scarver’s life had been coming apart well before June 1990. A high-school dropout, put out of his mother’s home over his drinking, he descended into heavy alcohol use after the promised job collapsed — and began hearing a voice that told him he was “the chosen one.” He was subsequently diagnosed with schizophrenia. He would later say that God had directed his actions; his sense of divine selection and special purpose persisted through his incarceration. After the 1994 killings he was evaluated at a federal medical centre for prisoners, and in 2001 a federal judge ordered him relocated, alongside roughly three dozen other seriously mentally ill inmates, out of Wisconsin’s supermax facility — a court effectively certifying what had been evident for a decade.
This was the man the public canonised: not a righteous everyman pushed to a breaking point, but a psychotic, profoundly unwell prisoner whose delusions had already cost one innocent man his life. The people cheering for him were not cheering for justice. They were cheering for the output of an untreated mental illness, because on this one occasion its violence happened to land on someone they hated.
There is a genuine tragedy in Scarver’s story, and it deserves to be named without strategy or irony: a young man’s psychosis went unaddressed at every stage where intervention might have changed the outcome, and three people died. That is not heroism. It is systemic failure wearing the costume of fate.
IV. 28 November
The facts of that morning are brief, and their brevity is part of the indictment.
At Columbia Correctional Institution in Portage, Wisconsin, three inmates were assigned to a cleaning detail in the prison gymnasium area: Christopher Scarver, Jeffrey Dahmer, and Jesse Anderson. The guards left. For roughly twenty minutes, the three men — one of them the most publicly hated prisoner in America, one of them a diagnosed schizophrenic serving life for homicide — were unsupervised. In that window, Scarver took a metal bar from the exercise equipment and beat both men about the head. Jeffrey died that morning, 28 November 1994. Anderson died of his injuries two days later, on 30 November.
Scarver himself has claimed the arrangement was no accident — that officials knew his feelings and wanted the outcome they got. That specific claim is his alone and unproven. But it points at a question that does not require his testimony to stand: how does an institution whose singular job is custody leave that particular combination of men alone with gym equipment? Whatever the answer — negligence, indifference, or something worse — the institution’s failure is a load-bearing part of this story, and the hero narrative papers over it completely. If Scarver is an avenging angel, no one has to ask why the state’s most scrutinised prisoner was unprotected in the state’s care.
And then there is Jesse Anderson — the second man killed that morning, and the great inconvenient absence in every celebratory retelling. Anderson was serving life for stabbing his wife Barbara to death in 1992 and then wounding himself and telling police that two Black men had attacked them — a lie that sent Milwaukee’s police searching for phantom Black assailants in a city still raw from the Dahmer case’s own racial wounds. Anderson was, by any measure, a despicable man. He is also entirely missing from the hero story, because his death cannot be dressed up as righteous vengeance on behalf of anyone’s victims. He simply doesn’t fit the script — so the script forgets him. A “hero” narrative that has to quietly delete one third of the morning’s dead in order to function was never a description of events. It was always a story people wanted.
V. The Myth-Making
In 2015, Scarver gave an extended interview to the New York Post — his fullest public account, and a masterclass in how mythology gets built after the fact.
In it, Scarver said that Dahmer had taunted other inmates by shaping prison food into the forms of severed limbs and dressing them with ketchup as blood. He described confronting Dahmer with a newspaper clipping about his crimes in the moments before the attack, demanding to know whether the reports were true. He presented the killings as a considered act with a moral architecture around it.
The ketchup story has since been repeated in thousands of articles, videos, and documentaries as established fact. It is nothing of the sort. It is a single uncorroborated claim, made two decades after the event, by the one person with the strongest possible interest in making the killing look deserved. No guard, no chaplain, no fellow inmate has verified it, and it sits uneasily beside the accounts of those who actually spent time with Jeffrey in his final years — Reverend Roy Ratcliff among them, who baptised him and visited him weekly, and who described a subdued, remorseful man preoccupied with the question of his own guilt, not a taunting provocateur.
Why did an unverifiable claim become canon overnight? Because the audience needed it. The celebration of 1994 had always carried a small, unexamined discomfort — a defenceless man beaten to death in state custody is an ugly thing to cheer — and the ketchup story dissolved that discomfort on contact. See, he was taunting them. He brought it on himself. The myth is not evidence about Jeffrey Dahmer. It is evidence about what the cheering public required in order to keep cheering.
VI. What the Cheering Means
Strip away the mythology and this is what remains: a mentally ill man who had murdered an innocent stranger over fifteen dollars beat two prisoners to death with a metal bar while the institution charged with keeping all three of them alive looked elsewhere. For this, he was celebrated across the nation — and is celebrated still.
Sit with the logic of that celebration for a moment, because it is the entire subject of this article. The public’s case against Jeffrey Dahmer was that killing human beings is an absolute wrong — so absolute that his own documented mental illness, his confession, his cooperation, and his expressed remorse could not mitigate it one degree. We do not dispute that his acts were terrible; this memorial has never disputed it. But the same public then applauded a killing — unlawful, unsanctioned, carried out on a defenceless man — and called it justice. The principle held for exactly as long as it took to find a victim nobody would mourn.
That is not a principle. It is bloodlust with a permission slip.
The cheering asked nothing of anyone. It did not ask who Christopher Scarver was, or who Steve Lohman was, or why Jesse Anderson vanished from the story, or how a state prison came to function as an execution chamber by inattention. It asked only that everyone agree the victim deserved it — and on that agreement, a triple murderer became a folk hero, an innocent man’s death became a footnote, and an institutional failure became fate.
Christopher Scarver was not a monster. This site does not deal in that word, and his story — the untreated psychosis, the system that failed him at every turn before failing everyone through him — deserves the same unsentimental honesty we extend to Jeffrey’s. But he was no hero either. The heroism was manufactured afterwards, by an audience that wanted its hatred sanctified, and the manufacturing had costs: Steve Lohman erased, Jesse Anderson deleted, the state absolved, and the comfortable fiction installed that what happened in that gymnasium was justice rather than the last, entirely preventable failure in a story that had been full of them.
The monstrous thing was never any one man in that room. It was the applause outside it.
Sources and notes
- Contemporary reporting on the murder of Steve Lohman (1 June 1990) and Scarver’s conviction and life sentence (1992).
- Reporting on the events of 28 November 1994 at Columbia Correctional Institution, including the unsupervised work detail and the deaths of Jeffrey Dahmer (28 November) and Jesse Anderson (30 November).
- Christopher Scarver interview, New York Post, April 2015 — treated throughout as an uncorroborated primary account, not established fact.
- Roy Ratcliff, Dark Journey, Deep Grace, for the counter-portrait of Dahmer’s demeanour in his final years.
- Court records and reporting on Jesse Anderson’s 1992 conviction for the murder of Barbara Anderson.
- 2001 federal court order relocating seriously mentally ill inmates, including Scarver, from the Wisconsin Secure Program Facility.
































